When was synthetic cubism

Braque and Picasso, however, will do it differently. Braque, having made the forms and the color autonomous in the glued papers, translates these spatial upheavals, while preserving a flat space until From now on, the object is no longer presented in order, it addresses in mind to be replenished. The papers are replaced by vertical and horizontal planes, the faux wood technique, practiced in , is refined so as to create a space without relief where the synthesized object seems to advance towards the viewer Le Violon Valse , After having experienced in assemblies and constructions the capacity of cubist objects to evolve in the real space of his workshop, Picasso translates this experience at the pictorial level by housing cubist synthetic figures in a classic space Woman in shirt in an armchair, This practice gives rise to new generations of glued papers, where he confronts perspective and cubist space with various objects newspapers, packets of cigarettes… and constructions where real and cubist objects rub shoulders Le Verre Absinthe, Synthetic Cubism is generally considered to have occurred between the years of and It introduced many new conceptual alternatives to the already established aesthetics of Cubism.

The previous analytical approach was essentially based on breaking down an object into a fragmentary image, while the next phase developed interest in flattening the image and sweeping away all traces of allusion to a three-dimensional space. By the time Analytic Cubism came to an end, it already broke the centuries-old rules of painting by providing an alternative to single point linear perspective.

However, as the Synthetic Cubism started to establish its own set of rules, the art scene of Europe was taken by storm. Analytic Cubism was concentrated on the act of taking apart or deconstructing an object, but Synthetic Cubism was all about its construction or synthesis. It bridged the gap between reality and art by literally interpolating pieces of the real world onto the canvas.

Authentic pieces of paper replaced painted flat depictions of paper, real music notebooks replaced drawn musical notation [1] , etc. By expanding the movement to its second and final act, the authors gave themselves the creative freedom to depict the world around them however they saw fit. Among other things, the concept of collage as a medium is a direct result of Synthetic Cubism. Besides establishing an entirely new medium that will prove to be crucial to many movements of the 20th century, it should also be noted that Synthetic Cubism blurred the line between painting and sculpture as most of its pieces had relief-like characteristics within their compositions.

In order to fully grasp the ideas of Synthetic Cubism, one needs to understand its forerunner as well. There are a few characteristics that seem to be common to all Analytic pieces. First of all, such artworks appear as a busy interweaving of planes and lines where the subjects are completely fractured. The illusion of a third dimension is highly important and every subject is attempted to be portrayed from multiple perspectives. They are painted primarily by using a limited range of dark colors.

Furthermore, there is very little tonal variation used as the general coloration tends to be muted with a similar dark tone. Although the Cubism painters enjoyed a respectable amount of success with the pieces underlined by the aforementioned features, the entire movement changed around the year of Suddenly, the quite complicated grids of Analytic Cubism were completely gone.

Instead, what was revealed will eventually prove to be the most radical aspect of Synthetic Cubism. As an alternative to the idea of breaking an existing object down to a grid, authors were now choosing to build up or synthesize their entire composition from their mind using uncommon materials and shapes.

In other words, instead of looking closely at an object such as a violin in order to interpret its shape and structure, authors created a violin-like shape from their imagination. Contrary to reassembling facets of the original image, it was a matter of synthesizing entirely new structures. Synthetic Cubism also featured an entirely new range of textures and incorporated a wide variety of extraneous materials.

Furthermore, every sense of three-dimensionality disappeared, a feature which was quite present in the initial phase of the movement. The process of incorporating scraps of everyday materials such as paper clippings, tickets and tobacco folders into their compositions marked a move away from the intellectualism of Analytical Cubism, directing the course towards a more relaxed and playful set of aesthetics.

After allowing themselves the creative freedom to depict the world around them however they saw fit, painters of Synthetic Cubism discovered an incredibly inventive approach to picture making. There were virtually no more restrictions of any kind as the only boundaries were set by the amount of creativity the artists possessed.

Collage was first employed in fine art in the context of Cubism, and involved the introduction of pre-existing materials into new designs, often to produce a playful ambiguity between art and reality.

It has since been enormously influential, impacting not only drawing and painting but also attitudes to sculpture. Readymade and The Found Object. A readymade is a pre-existing, non-art object which has been used in the context of art. Marcel Duchamp is credited with inventing the readymade in when he inverted a bicycle wheel on a stool, titling it simply, Bicycle Wheel.

The idea has been highly influential, particularly since the s. Analytic Cubism. The Analytic phase of the Cubism movement focused on fracturing the depiction of subjects almost to complete abstraction.

Artwork Images. Still Life with Chair Caning Artist: Pablo Picasso This oval canvas, framed by a piece of common rope, posits itself as a table, while a painted and multi-faceted tableau of items - a knife, a pipe, a slice of citrus - are arranged on a piece of oilcloth, printed with a chair caning pattern.

View all Important Art. Picasso and Braque's Cubist Experiment: "Like mountain climbers roped together"? Our Pick. Picasso: Guitars Picasso's Collage Materials. Lecture by Rebecca Rabinow, Leonard A. The books and articles below constitute a bibliography of the sources used in the writing of this page. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.

The Cubist Epoch Our Pick. Cubism and its histories Critical Perspectives in Art History. Cubism: The Leonard A. Lauder Collection Our Pick. Cubism Our Pick.

Picasso and Braque, Brothers in Cubism. On "Cubism" in context Our Pick. Compotier et verre fruit dish and glass - Georges Braque. Cite article. Correct article. Updated and modified regularly [Accessed ] Copy to clipboard.